Slowly getting caught up on all of my March Theatrical adventures here on the blog. The Royal Winnipeg Ballet offered this beautiful piece from choreographer Peter Quanz and danced by Les Grands Ballets Canadiens of Montreal as an "extra" for their season, and I jumped at the chance. I'm a huge fan of Quanz and was eager for the chance to see a full length work from the choreographer.
Based on the lives of French sculptors Rodin and Claudel, the piece utilized the corps as molding clay, moving them into varying shapes and locations reminiscent of the sculptures by each artist. The sculptures, however, also had the quality of being all-seeing - they bore witness to both the successes and failures of each artist, and ultimately passed judgment when Claudel was committed.
The opening moments of the story were a touch unclear; what was actually a brotherly relationship came across as a potential lover, and the story was perhaps a bit muddy as a result of too many characters in the first group scene. That said, the very opening was absolutely stunning, and the use of space, with living backgrounds observing the actions of the two protagonists was fantastic, and the story became more clear as it focused on the pair.
Beautiful work - see it if you ever get the chance!
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